After Yang: Melancholic Futurism

How does the idea of the Nuclear family change over time as the world gets more globalized and what will it look like? 

The on-screen adaptation of Saying Goodbye to Yang centers on a mixed-race family as they reflected on identity and connectedness while experiencing an existential crisis. The family consists of Kyra (Jodie Turner-Smith), Jake (Colin Farrell), and Mika (Malea Emma Tjandraidjaja) has an android, Yang (Justin H. Min) who serves as an older sibling and cultural educator. Each member of the family represents a different cultural identity. 

Even though Yang is a collection of metal, Mika forms a deep attachment to him. When Yang malfunctions, the family must rush to find a way to save them before Mika descends into chaos. The story looks at how each family member copes with the grief and loss set in a grounded future world. 

The East Asian-influenced setting creates an environment of minimalism and tranquility in this future world. Technology in this world seemed to be tucked away and natural elements are at the forefront. From the courtyards to tea shops, it paints a scene of serenity that is broken by sadness and distress in the family. There is no set time or anything to suggest what is happening in the world that can take away from the main focus of this family. 

The cinematography focuses on space and symmetry that shape emotional responses to character interaction. Add in composer Aska Matsumiya’s melancholic score that creates a space for self-reflection.  

Director Kogonda creates a soft-spoken sci-fi film that looks into identity and being present. It is powerful and full of joy and hope. It allows the audience to feel an intimate, cozy connection through visuals, score, and story.